Article: Bass, Eben. “Meaningful Images in The Sound and the Fury.” Modern Language Notes, Vol. 76, No. 8. John Hopkins University Press: Baltimore, 1961.
Through its discussion of significant objects related to recurring themes throughout The Sound and the Fury, this article helped me to think more about Caddy’s unusual relationship to trees. Whether it is through Benjy’s relating her scent to trees or in climbing up the trees surrounding the Compson house, many of the scenes of Caddy’s youth involve trees in some way, shape, or form. Mostly, this comparison serves to reference her loss of innocence throughout the story. With regard to Benjy, the few times in which he gets upset with her occur when she no longer smells like trees: when she first wears perfume, kisses a boy, and finally loses her virginity. Though not quite on the same level, her relationship to Quentin is also tied to her relationship to trees. The one defining scene for this connection occurs the night that Damuddy dies and Caddy climbs the tree to see what is going on inside the house. This occurs right after she has been playing in the branch, and as she is ascending the tree, Quentin sees and is disappointed by her muddy drawers, potentially symbolic of the struggles their relationship will undergo. This hypothesis is supported by the fact that Quentin thinks back to this day, both on the day he commits suicide, and on the day when he discusses hysterically how muddy drawers used to be the biggest problem in Caddy’s life. Though Quentin’s relationship with Caddy is drastically different from Benjy’s, it is clear that she means the world to both of them and that her connection to trees is integral to each of these relationships. This article helped me to make this connection, and I am looking forward to more instances of this bond between Caddy and trees in the final section of The Sound and the Fury. (303)
